Painting Shapes

Living Sand Dollar” is a simple shape, a circle. As a circle is round, painting this shape follows the same basic principles as painting other round objects, such as oranges. However, since the object is mostly flat, creative shadows and highlights emphasize the edges and create an illusion of dimension.

When painting symmetrical shapes, such as in “Butterfly of Hope“, it often works better to paint symmetry as slightly imperfect and organic. Nature isn’t usually precise. Even mirror-image patterns can have small differences from left to right, top to bottom. These differences bring character to the painting.

Painting geometric shapes like in “Dove of Peace” is a great exercise for training the brain to see balance through lines, angles, and triangles. This type of thinking helps an artist see how round, symmetrical and geometrical shapes come together in mathematical harmony. The angles of the dove’s wings make a triangular shape. This type of simplistic art can be reduced further when creating designs for logos, embroidery, crafts, and other projects that require clean shapes without much detail.

When training the brain to see shapes, future projects that are more complex can be broken down into manageable parts. Focusing on each shape within the shape, and repeating this process while working through the entire composition, is a mathematical approach to a project that prioritizes harmony and balance as whole. Life is much easier when we focus on only one step at a time. Before long, we can look back on the journey, amazed at how far we’ve come.

Painting Contemplation

Contemplation may involve thoughtfulness, observation, gazing upon, prayer, or meditation. Painting an abstract concept such as “lost in thought” pushes an artist to also become lost in thought. Putting oneself into the mindset of the subject makes it easier to depict what the subject is doing, even if the subject is completely at rest, merely observing, thinking, or even head bowed and eyes closed. “Thinking” occurs while at rest, but is also an action; the techniques used for painting rest and painting action are both at play.

Bluebird” was painted for a children’s book, in which a bluebird named Bello has a wild imagination. He observes his surroundings and then imagines stories. In this scene, Bello watches the grasses moving like waves of an ocean and imagines a big ship on the sea. Painting the act of “observation” combines action and rest, a contradiction of sharp and precise angles (the bird’s body profile and perching post) and flowing brush strokes (the landscape). The bird’s vivid blue hues, the sharp tilt of his head, his extended chest, and his stable stance on the post depict energy and action. He is standing tall, gazing, not merely at rest. However, he is also still, unfazed when his feathers are bit ruffled from the wind. The grasses are in motion, and by contrast the bird looks at rest. 

My Son Praying” deploys similar techniques and strategies as “Bluebird“. His body language involves sharp angles while the surrounding composition involves flowing brush strokes that look almost like watercolors. The act of praying is depicted by his arms positioned from pointed elbows to firmly clasped hands in the shape of a triangle. Angles display energy and action, while round shapes convey stillness and rest.

My Son Praying” takes contemplation to a deeper level, as he is concentrating on spiritual things. Personal spiritual devotion can be conveyed through symmetry and mirroring. The pillar-like shapes of the candles run parallel to the subject. My son and the additional elements of the composition (the plate, food, and utensils) fit neatly, centered, between the candles. The utensils frame his plate and mirror his arms, as they are positioned and angled on the table like a shadow or reflection.

While his shirt is a vibrant green, the candles are boldly red. While the folds in his shirt indicate movement as his body is bent, the candles’ flames also have indicator lines that show movement, as the flame flickers and glows. Mirroring also occurs through repeated brush stroke patterns, such as the repetition of the horizontal lines of the closed eyes that are repeated in the bottom edge of the meat on his plate, the table’s edge, and the wood grain of the table. The same type of repetition occurs with vertical lines. Follow the pattern of vertical lines (the hair on his head to the folds of his shirt, to the utensils alongside his plate).

Follow the lines of symmetry that create balance in this painting.

Framing and repetition is so strong in “My Son Praying” that we can envision an infinity symbol running through it (imagine that the candles are the outer loops and the overlapping center loops cross where the arms and utensils are).  Symmetry and patterns give art a mathematical validation of balance. When depicting contemplation of a spiritual nature, abstract concepts such as “infinity” are shown by balance.

Bluebird” is observational and thoughtful, “My Son Praying” is prayerful, while “Tiger” is meditative. Can this contemplative tiger train his mind in awareness, transcending through contemplation into knowledge? Or perhaps this big cat is simply thinking about his next meal. Whatever he’s pondering, the act of thinking is depicted by the conflict between activity and rest. The mind is active while the body is at rest. The tiger is detailed, while the landscape is not. The colors of the tiger are vivid, while the rest of the composition is not. The body language of the tiger involves triangular shapes and angles, while the landscape is more flowing and organic. The tiger is white and black, while his world is shades of color. Dark and light, yin and yang… maybe this tiger has all the answers!