“Narrow Way” was inspired by the allegory of a narrow difficult road to spiritual enlightenment and true happiness, while the road to destruction is wide and easy. The addition of an apple tree that produces poisonous fruit on one side, and life-sustaining fruit on the other was my own artist contribution and alludes to another well known metaphor for “good and evil”, “temptation”, and “free will”. Abstract concepts, conveyed through symbols and extended metaphors, may push an artist to paint in a different style.
Rather than painting a more natural incline in the two roads using perspective, skewing, distortion, and variation of hues, the paths are painted nearly flat, as if pictures on a map. A break from traditional techniques and approaches tells the viewer that this is a different type of painting. Why is it different? What does it mean? In this way, the artist succeeds in the goal of an allegorical painting: inspire the viewer to ponder the meaning of the art.
“Narrow Way” is an allegory representing generalized truth about the human condition (the difficulty man sometimes has in choosing good over evil, resisting temptation). This type of allegory is shared by diverse scholars, playwrights, screenwriters, artists, musicians, educators, and leaders of world religions. While likely in disagreement about the analysis, moral responsibilities, or solutions, generalized truth itself is fairly universally accepted. In the next painting, “Predator and Prey Alike“, the allegory is philosophical, moving beyond generalized truth.